Hd Hindi Video Songs 1080p Aiyyaa ##BEST##
Hd Hindi Video Songs 1080p Aiyyaa
the first half of aiyyaa is shot in a bollywood style, with lots of close-ups, arched compositions and an emphasis on story, as in hum aapke hain kaun? the other half is shot in a floating-camera, mostly tight, disjointed shot, with lots of zooms, and a lot of facial close-ups, as in peardrops and especially in the iranian films golmardar and chaytor. at some points, kundalkar ventures into slow-mo, and at others he uses jump cuts. the centrepiece of the first half is a song sequence showing meenakshi in a foreign country (if it isnt actually india, then definitely a city in south asia, like mumbai) where she meets suriyas parents and returns to india with him. this sequence was filmed in a different city each day, and in the final song sequence, which is also shot at a different time of day, the camera is in and around the house, always moving and always taking in some detail, as in babes in toyland.
i loved ‘sava dollar‘, the song just takes you to the land of blissful romance and whimsical humour. i was excited to see this one in the trailers, so i was pretty happy to see it on the actual soundtrack. the song starts off just the way the promo and all of the songs have in the past with shreya ghosal coming in, followed by the soulful renditions of rani mukherjee and amit trivedi.
in an earlier interview, rani mukherjee had stated that aiyyaa is a celebration of women and it seems that the makers are staying true to their words. the song is the perfect set of girls in the industry, from shreya ghosal to tanishaa, from rani to vidyut jammwal. the song is a bit like a ‘bride and prejudice’ in a way, where every song is like a scene in the film, different from each other but at the same time, parts of the same story. it is a good thing that we have the song lyrics to look for, because they are so interesting.
the first half of aiyyaa is shot in a bollywood style, with lots of close-ups, arched compositions and an emphasis on story, as in hum aapke hain kaun? the other half is shot in a floating-camera, mostly tight, disjointed shot, with lots of zooms, and a lot of facial close-ups, as in peardrops and especially in the iranian films golmardar and chaytor. at some points, kundalkar ventures into slow-mo, and at others he uses jump cuts. the centrepiece of the first half is a song sequence showing meenakshi in a foreign country (if it isnt actually india, then definitely a city in south asia, like mumbai) where she meets suriyas parents and returns to india with him. this sequence was filmed in a different city each day, and in the final song sequence, which is also shot at a different time of day, the camera is in and around the house, always moving and always taking in some detail, as in babes in toyland.
i loved ‘sava dollar’, the song just takes you to the land of blissful romance and whimsical humour. i was excited to see this one in the trailers, so i was pretty happy to see it on the actual soundtrack. the song starts off just the way the promo and all of the songs have in the past with shreya ghosal coming in, followed by the soulful renditions of rani mukherjee and amit trivedi.
in an earlier interview, rani mukherjee had stated that aiyyaa is a celebration of women and it seems that the makers are staying true to their words. the song is the perfect set of girls in the industry, from shreya ghosal to tanishaa, from rani to vidyut jammwal. the song is a bit like a ‘bride and prejudice’ in a way, where every song is like a scene in the film, different from each other but at the same time, parts of the same story. it is a good thing that we have the song lyrics to look for, because they are so interesting.
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